Search Results: 2016-2024 deceased directors who directed films in 1960s
Yves Bonnefoy’s book is, fundamentally, a spiritual autobiography; yet it draws extensively on the outside world and ponders how it can be described in writing or depicted in painting.
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Nash Ensemble’s new album captures much of what makes Claude Debussy’s chamber music so fresh and beloved. Orion Weiss’s Arc III is smart, timely programming, dispatched with insight and care.
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Dominique Morisseau’s earnest Pipeline is a “message” play, American style.
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Chasing Rembrandt is a small show, probably quickly assembled to complement the TheaterWorks production. For curious viewers, though, it raises a number of provocative questions.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Two first-rate albums: pianist Lara Downes successfully reconsiders Scott Joplin and the New York Youth Symphony plays Florence Price and others with panache.
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“Maestro” is raw and unsparing but also full of understanding, grace, and honesty. This compelling drama brings to life the man and woman behind an extraordinary amount of musical activity, with many of their shortcomings and contradictions fully intact.
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The Living “is about the impulse to draw back, to lie, to conceal, and to retreat versus the impulse to gather, to commune, to cooperate, to find common ground. Those two conflicting impulses seem to inform our response to every disaster.”
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Book Review: “Dinners With Ruth” — Always Nice But Rarely Incisive
Like a Hallmark movie, Dinners with Ruth is an engaging and entertaining story, with episodes of great pathos. It is an upbeat, easy-to-read gift book, which is undoubtedly what its publisher intended.
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