Posts
Conductor Robert Treviño celebrates what we might call the dawning of the North American vernacular school; composer Ethan Iverson displays a fascination with instrumental color.
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“Queer” breaks new artistic ground for an artist whose visionary talent is already well-established.
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It may be shot in B&W, but “Day of the Fight” is not a retread of “Raging Bull” — though Joe Pesci is present.
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Children will delight in two books that celebrate creativity and imagination, and one that shows a new way of seeing the world through maps.
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This week’s poem: Ted Pearson’s Selections from “String Theory”
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Ya gotta understand — corporate assholes are like Sauron’s boss, Morgoth. They are incapable of creation. They can only appropriate and warp, like how Morgoth appropriated and warped Elves to create Orcs.
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Both Stereophonic and Babemake compelling drama out of the volatile world of pop music-making.
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A look at three exhibitions by New England artists who are concerned about climate change and gun violence.
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“What Comes from the Night’ testifies to John Taylor’s complex bond with nature, a generous alliance that includes moments of introspection and melancholy.
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The aim is to evoke, critically, a period when adventure, for men, was about running away to Cuba or going on Kerouac-inspired road trips.
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