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This week’s poem: Sanjana Nair’s “Hole Shine Bright”
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“All We Imagine As Light” is an absorbing celebration of female friendship.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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A collection of quotes that have stung or sustained me over the past 12 months.
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“Babygirl” comes off as a rather lascivious take-down of yet another older woman who has everything she wants except … sexual excitement.
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Is it possible to reclaim a marginalized legacy? And how do you step up to take a seat at the table when your history has been neglected and forgotten?
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After five decades of blending strong technique with playful satire, the Trocks continue to impress, but some of their once-fresh humor feels a bit played out.
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Perhaps director Marielle Heller decided that “Nightbitch”‘s unusual premise had to be balanced with a decorous storytelling trope.
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It seems every year the quality of feature films, especially those from mainstream studios, is getting worse, while that of documentaries is getting better.
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Interviews with a pillager – “Plunderer” examines Nazi art theft at DOC NYC; two other docs remember Artsakh, a country that is no more
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