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The Arts on the Stamps of the World — March 9

March 9, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: “Grand Concourse” — You Gotta Have Faith

March 8, 2017
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Grand Concourse does wondrous things: it encourages us ponder our own growth toward faith while emphasizing with the struggles of others.

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The Arts on the Stamps of the World — March 8

March 8, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Visual Arts Commentary: The ICA — The Limits of Being an Icon

March 7, 2017
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The nagging question: why didn’t the ICA didn’t create a building that offered options to be developed vertically?

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The Arts on the Stamps of the World — March 7

March 7, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Film Review: “XX”—Horror Anthology, Female Version

March 6, 2017
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I was looking forward to “XX” because it was horror, it was an anthology, and because all four pieces were directed by women.

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The Arts on the Stamps of the World — March 6

March 6, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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TV Review: “3 Mics”—Neal Brennan’s Innovative Stand Up

March 5, 2017
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Neal Brennan’s mix-and-match of styles manages to combine deadpan sensibility with shocking poignancy.

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The Arts on the Stamps of the World — March 5

March 5, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: “The Night of the Iguana” — A Creature Feature

March 4, 2017
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The ART presents a staid production of Tennessee Williams’ talky chamber play about wanderers struggling to be released from their pain.

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