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Heartland proffers a rare combination — it is a prescient history lesson that also works dramatically.
Demanding that people pay attention to quality is about as audacious a demand you can take in our giddy culture.
In its efforts to cram so much information into so small a space, the narrative becomes unfocused.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
A Doll’s House, Part 2 comes off as a return to the barn — after the door has fallen off its hinges.
Pledge is Daniel Robbins’ third film, and his first really good one.
The authors let dance serve as a way of embodied knowing — an intelligence that can unlock an understanding of physics’ theories and abstractions.
This hardscrabble crime thriller is also a powerfully subtle character study.
Is there a future for challenging non-corporate theater (i.e. the fringe), and what does that future look like?
Despite its promising premise, Bess Wohl’s script is yet another wan exercise in genial domestic comedy.
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