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Increasingly, artistic directors are expected to be super-successful fundraisers, an unstable hybrid of peddler and visionary that throttles artistic independence. By Bill Marx The failure to renew the contract of Robert Woodruff as artistic director of one of America’s major regional theaters, the American Repertory Theatre at Harvard University, is symptomatic of a new…
By Peter Walsh When a new contemporary art museum gets up on its feet, it typically constructs a slick, fashionable new address for itself and leaves its old, recycled quarters like a student couch at the curb. But is that always a wise decision? Sometimes it makes sense to put new wine in old bottles.…
By Milo Miles World-famous jazz impresario George Wein went to Boston University. I went to Boston University. The Boston University Art Gallery is currently hosting the show Syncopated Rhythms: 20th-Century African American Art from the George & Joyce Wein Collection. Boston University is behind this blog. None of that matters: it’s still the most amazing…
By Adrienne LaFrance February 22nd, 2006 Chances are, when you think of interactive art the first thing that comes to mind is the lineup of cranks to turn, buttons to press, and microscopes to peer into at a children’s science museum. But the exhibition COLLISIONnine BOTbits (at Wellesley College though March 8, 2006) proves that…
By Adrienne LaFrance March 13, 2006 It’s not an area of Boston that tends to attract art-goers. And the works are not by those normally considered artists. “Visual Voices of Detained Youth” was on display at the Rhys Gallery in South Boston through March 4, 2006 but the implications of the exhibit live on. The…
This is an intelligent exhibit, not just conceptually but in that it requires the viewer to actively make connections while absorbing the art.
In her latest project, Pulitzer prize-winning dramatist Suzan-Lori Parks covers the country. By Jared Craig Four years ago, Suzan-Lori Parks set out to do what no dramatist, no matter how prolific, has ever done before. The Pulitzer prize-winning playwright decided to write a play for each day of the year. Her mission completed, the scripts…
Quick: name a script about a classical musician.
By Salima Appiah-Kubi Moulin Rogue hinted at it. Hedwig and the Angry Inch made it cool. Everyone Says I Love You nearly killed it. This month’s release Mel Brooks’ movie-turned –musical-turned movie musical, The Producers, has made it official. Ladies and gentlemen, we are now entering the second age of the movie musical.
I knew something had changed when I was in a crowded downtown bar, filled with twenty-somethings sipping Red Bull and vodka and Pabst Blue Ribbon, and the opening chords of “Ring of Fire” evoked instant cheers and singing. The hype surrounding “Walk the Line” officially secured Johnny Cash a spot on the must-have music list…
Classical Music Commentary: Boston’s Lost Opportunity — How the BSO Board Chose Charles Munch over Leonard Bernstein