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Dance Review: Red Deliverance

September 25, 2010
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Screening at the Coolidge Corner Theatre on October 2nd, the Bolshoi’s Bolt is a curiosity worth exploring, a meditation on the Russian past that could only be produced after the nightfall of Stalinism. After all, in some eyes composer Dimitri Shostakovich may have been a stooge, but he was never an obtuse one. Reviewed by…

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Music Interview: Opera on Tap and with Tongue-in-Cheek

September 25, 2010
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Snobby and sober no more! Made up of singers who perform arias and duets in bars, Opera on Tap currently presents its innovative songfests in Chicago, New York, New Orleans, and Ann Arbor. Now the concept comes to Boston, with performances tomorrow and Monday night (September 26 and 27) at Oberon in Cambridge. Anne Ricci,…

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Music Review – Dave Liebman Group: Unstoppable

September 25, 2010
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I’m willing to risk this statement: Dave Liebman’s 2009 CD Turnaround, as yet unreleased in the US, is a masterpiece. Turnaround. Jazzwerkstatt CD; currently not distributed in the US; obtainable through amazon.de, €10.16 + shipping); live performance at Scullers at the DoubleTree Guest Suites, Boston, MA, September 16, 2010. Reviewed by Steve Elman I can…

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Coming Attractions in Jazz: Autumn Festival Update

September 24, 2010
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Wild Magnolias Big Chief Bo Dollis

By J. R. Carroll. The final installment in our jazz festival preview series picks the best bets for the outdoor Beantown Jazz Festival and then checks out what’s happening in Falmouth and Pittsfield as the leaves begin to turn.

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Music Review: Kurt Rosenwinkel & Orquestra de Jazz de Montesinhos (OJM) – A Temporary Relationship

September 22, 2010
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Kurt Rosenwinkel’s compositional style is undeniably ingenious and appealing; it is strong on tuneful, singable lines that move logically from chord to chord and occasionally lead listeners to unexpected places. Our Secret World. Wommusic CD; $15.99 via Amazon; $14.99 [ + shipping] through the musician’s website. It’s also for sale as a download through iTunes.…

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Book Review: A Norwegian Ghost Story

September 19, 2010
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The novella revolves around that oxymoron of “silent voices”: Jon Fosse’s aim is to evoke the insinuating power of self-destructive forces that lie beyond our control.

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Jazz Review: Either / Orchestra — (10 + X) 25 = E / O

September 16, 2010
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Reviewed by Steve Elman. The larger the band, the more important its leader. The sheer drudgery of keeping a large jazz ensemble functioning as a musical and business entity leads almost inevitably to a need for a guiding intelligence. Even if one person isn’t personally booking the gigs, making the phone calls, preparing the lead…

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Coming Attractions in Jazz: Late September 2010

September 15, 2010
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By J. R. Carroll What makes a festival a festival? And what makes a musician a Beantown artist? We’ll ponder those questions for a moment before moving on to the very full schedule of jazz performances in the second half of September.

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Music Interview: The Art of Storm ‘n’ Twang — Writing Music for Buster Keaton Silents

September 14, 2010
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By Bill Marx Steamboat Bill Jr. is my personal favorite among Buster Keaton’s classic silent comedies, and the image (above) of Buster holding an upturned umbrella (this is a publicity still—in the movie he wields the useless brolly during a rampaging storm) is one of the movie’s greatest sight gags, an indelible image of the…

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Theater Review: The Hard Heart of a Puppet

September 12, 2010
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It is with a strange malice/ that I distort the world. – Wallace Stevens, The Weeping Burgher Hard Headed Heart. Performed by Blair Thomas & Company. Sets, puppets, and scrolls by Blair Thomas. Translation of the Garcia Lorca play by Catherine Brown. St. James Infirmary puppets by Jess Mooney-Bullock. Curtains and costumes by Heidi Dakter…

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