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In locales as varied as Israel, Kenya, Massachusetts, and the country of the brain, and in rough groupings of poems about small daily epiphanies, relationships, loss and death, and the sad affairs of the world, the poems in “The Illustrated Edge” explore the meandering paths of all sorts and mixtures of feelings.
Read More“The Ides of March” tells the same old political story: we know how tedious the campaign season is, we know that deals are made behind doors and that all that really matter are the numbers.
Read MoreMust age diminish a great poet’s strengths? If I grant that age has such power, I’m left to ponder the truly strange fact that death does not.
Read MoreA symptom of our times: two books by self-described critics that aren’t particularly critical. Informed, lucid, thoughtful, and explanatory, yes –- strongly evaluative, no
Read MoreAudra McDonald is so popular on stage, in concert, and on television that she has become, to many, a one-name goddess like Bette, Judy, and Barbra. Judging from her recent star turn in the American Repertory Theater’s production of “Porgy and Bess” and this brilliant concert, she can give the other One-Named Ones a run for their money.
Read MoreJoshua Rubenstein’s succinct account of Leon Trotsky’s life rescues the Russian radical from a remoteness, positioning him at a useful distance for contemporary readers
Read MoreNew England theaters, and especially Boston’s, have compiled a fantastic lineup of programs for October, a classically-great month for films (especially if horror is your thing).
Read MoreHonestly, the first thought I had when the two-hour Wilco show wrapped up was, when will I see this band again?
Read MoreThe picks in pop music in Boston this month all have something in common: storytelling. How did Deadmau5 get stuck with that 5 at the end of his name? What does a Portuguese acronym have to do with the band CSS? And what does Minus the Bear have against bears?
Read MoreIt is encouraging that the list of recommendations for October isn’t filled with musicals. Are straight plays back? I wouldn’t count on it in this economic climate. So let’s bask in the chance to hear words without music.
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