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Entertaining and provocative, this quick-witted and dreamlike evening of theater suggests that imbalances of power sacrifice individual freedoms and love. Everyone becomes a doll (master and servant) in a doll society.
Read MoreCharles Busch’s plays are informed by an obsession to playfully upend iconic film genres. This time it’s the celluloid celebration of nuns, and what a divine romp it is.
Read MoreAfter intermission, Mr. Lang closed the concert with Frederic Chopin’s Twelve Etudes (Op. 25). This is music in which Mr. Lang is completely in his element, and his performance of these fearsomely difficult pieces was a marvel of extraordinary technical skill.
Read MoreNot only is TAPFS considered the best Pink Floyd tribute band, but it is argued that they are the best cover band in the world.
Read MoreIn this novel, author Ismet Prcic’s confusion is so vivid that it becomes ours, making us participants in the story.
Read MoreThere isn’t much going on in November. The highlights of the month are the Omar Souleyman and Felix Kubin shows, so try to make it to one of those.
Read MoreThere was a memorial service for Caldwell Titcomb, invaluable friend of the arts in New England, yesterday in the Memorial Church at Harvard University. He passed away on June 12th of leukemia at the age of 84. The ceremony was moving and heartfelt, with memories shared about Caldwell as a friend, composer, critic, grammarian, teacher, brother, long-time President of the Elliot Norton Awards, and researcher in African-American history.
Read More“The Submission” has been compared to Richard Price’s richly evocative novels of New York life. It’s an apt comparison, though Amy Waldman brings a new cast of characters to bear, members of the Bangladeshi community.
Read MoreIt’s “Mahler Unleashed” month at the New England Conservatory. I heartily recommend all of the “Mahler Unleashed” events.
Read MoreWhat makes one opinion better than another? (Some opinions have been challenged more than others. Tested opinions are worth more than untested ones.) Can’t one enjoy an aesthetic experience without having to put it into words? (Absolutely, but those of us who write art criticism don’t have the luxury.)
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