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The issues raised by Mike Daisey’s infraction, his fall from grace, and now his return, are many, but chief among them is the privilege of illusion, the birth-right of the artist.
Read MorePoet Mel Kenne, like a desert ascetic, has pared away everything that is not essential -— no words have been wasted in the making of this collection.
Read MoreAvi Avital, a young virtuoso determined to expand the repertoire, is the first mandolinist ever to be signed to a contract with Deutsche Grammophone. His recording of Bach for the label is an important milestone for the mandolin.
Read MoreWGBH is not even attempting to make any excuses, not bothering to put in the energy to explain why the station isn’t using funding from its supporters to hire first-class journalists or to create news programming that builds community and educates because it challenges, investigates, and digs deeper.
Read MoreJuly 11 update.The New Orleans-style funeral for jazz on WGBH radio was an amazing coming-together of musicians from across the spectrum of styles. It was an occasion for mourning the loss of Steve Schwartz and the diminution of Eric Jackson, to be sure, but it was also an occasion for celebrating with more than a little wonderment the recognition that we all are, indeed, a community.
Read MoreUpdated. In or out of doors, from Inman Square to the coast of Maine, it’s a hot July in New England. Sounds of the season–or of any season–abound, including a 25th anniversary celebration for Natraj.
Read MoreYou leave the matrimonial musical “I Do! I Do!” humming its banalities.
Read MoreDeftly directed by May Adrales, aided by sensitive sound, lighting, and costume design, “Animals Out of Paper” is exciting summer theater.
Read MoreNorman Manea’s compelling novel “The Lair” tracks the ambiguities, contradictions, and confusions of the exile’s psyche as he struggles to find footing in surroundings that are often unintelligible. It is a highly cerebral, labyrinthine book, filled with mystery, paranoia, and illegible codes.
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler