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A hedonist and humanist, admired filmmaker Ricky Leacock was curious about everyone, including the rich and famous, especially if he could show them sans their celebrity masks.
Read MoreThe chief glory of the Lyric Stage production: an ensemble of eight actors that agilely accents the humor dramatist Lynn Nottage utilizes to temper her examination of the darker racial and political subtexts of the period.
Read MoreThe Berklee Contemporary Symphony Orchestra sought bravely to straddle the jazz and classical worlds with a little help from some star soloists.
Read MoreBianco Amato is a marvel as Anton Chekov’s widow, Olga Knipper, who can turn her fake emotions on a ruble.
Read MoreThe journey of Anders Zorn, from Swedish hamlet to the top echelon of society portraitists and back again, has a couple of messages for us. The first leg of the journey tells us that careerism is not a new phenomenon in the art world. The second tells us what it may be worth in the end.
Read MoreBeyond the Hills is not the horror film the trailer seems to advertise, but it is certainly horrific.
Read MoreIn the end, it is not the brilliance of his criticism or the strength of his prose for which we will remember Roger Ebert, but his humanity and his love—for film, for life, and, most of all, for people.
Read MoreYesterday the folks behind Rdio.com, the online music subscription service, started unveiling Vdio, an online video rental and sales service.
Read MoreIt was while watching the NCAA Men’s Basketball tournament that I stumbled upon an interesting trend: non-American rock music being used in American advertising campaigns.
Read More“Once people hear this music they do indeed come back for it – it is pleasing on so many levels: it soars, it soothes, it excites, it transports.”
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Arts Commentary & CD Reviews: On The Kennedy Center, Ben Folds, & Gustav Mahler