Year: 2012
The extraordinary intensity the ensemble achieved at soft dynamic levels and their very natural sense of the movement’s pacing were both quite impressive.
Read MoreIt was with great sadness that I learned that on the day after Christmas 2011 pneumonia carried off an underappreciated giant of jazz, saxophonist and composer Sam Rivers. His 88 years took him on a long journey from his midwestern origins to decades here in Boston and later in New York to a rich late period in the somewhat improbable locale of Orlando, Florida.
Read MoreNow that the new year is here, midseason breaks are winding down, which makes it the perfect time to reflect on the television programs that premiered in the fall –- and will soon be back on screens across the country.
Read MorePaul Goodman was a professed anarchist — not the bomb-throwing kind, who believe destruction is foreplay to solution, but the anti-violent kind, deriving from the nineteenth century Russian thinker, Kropotkin, who espoused cooperation among free individuals.
Read MoreAn underground academic critic explores the fascinating intersections between the Kardashian sisters’ novel “Dollhouse” and Ibsen’s play “A Doll House.” The more things change …
Read More“A Dangerous Method” fits neatly into director David Cronenberg’s body of work, which is often obsessed with a body-mind connection.
Read MoreThe documentary “The Klezmatics: On Holy Ground” is pleasing to watch, but there are a number of ways of respecting as well as loving great artists, the most important being coming up with the chutzpah necessary to ask the tough questions that generate illuminating, inspiring, or interesting answers.
Read MoreThe essential task of the critic is not to like or dislike the arts or to push bromides, such as to celebrate the “power of reading.” Despite some troublesome modifications, Lionel Trilling carries on the mission of E.A. Poe and Henry James: he articulates the value of the serious act of judgment in a culture hostile to it.
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