Month: October 2012
ROUND: Cambridge is a testament to what can be accomplished using smart phones, GPS coordinates and a Google map.
Read MoreWhat is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts and culture. This is our ninth session, a discussion about the New Repertory Theatre’s production of David Mamet’s play “Race”, which revolves around the frenzy and fury generated by three attorneys who are asked to defend a wealthy man accused of raping an African-American woman.
Read MoreThe 1930s urban update of “Cinderella” proffers some clumsiness, but the dancing by the expert members of the Mariinsky Ballet is a treat.
Read MoreOne answer to the question of “Why two plays in verse?” might be that Denis Johnson is a writer relentlessly in pursuit of new forms, and new formal challenges—a literary daredevil always looking for a new vehicle to take for a thrill ride.
Read MoreTwo warhorses of the theater come to town: Shakespeare’s “Hamlet” trots along in the Globe Theatre touring production, while “War Horse” shows off the equine puppet body beautiful.
Read MoreWhen you have a spare twenty minutes, grab some headphones and take your laptop to a dark corner to watch and listen to “Ramada Inn.” You will need the extra three or four minutes to compose yourself.
Read MoreYes, Ben Affleck took some liberties in “Argo” for the sake of the dramatic arc and a kickass, intense finale. But mostly, the story is so bizarre that it hardly needed enhancement.
Read MoreFriday’s was the first of a series of strong, interesting programs H&H is offering this season. If its success is any indication of what’s to come (and I hope it is), we should have a very special few months ahead of us, indeed.
Read MoreIt was a rocking night, full of fun and energy. It was intelligent, maybe even a bit brainy at times.
Read More“The Boston theatre community can always profit from international influx. The German theatre scene in particular is quite innovative both in the plays being written and the productions that reach the stage.”
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