Visual Arts
By Peter Walsh A Tomb Gets its Time Forget Indiana Jones. Archaeology is not about the obvious. Case in point: the Museum of Fine Arts’ exhibition, The Secrets of Tomb 10A, opening October 18.
By Helen Epstein Of the 100 or so events scheduled for Essex County’s Eighth Annual Trails and Sails Festival the last weekend of September, culture vultures should not miss Gloucester’s Committee for the Arts tours of Gloucester City Hall’s wall murals, created by the Works Progress Administration in the 1930’s. Culture Vulture talked about them…
By Gary Schwartz Once every three years since 1992, the Prince Bernhard Cultural Foundation, originally launched under another name in 1940 to aid the war effort, has awarded a prize to a person or institution in the humanities. It is a generous prize of 50,000 euros, of which two-thirds is to be spent on projects…
by Bill Marx Instead of a critique for World Books this past week I finished up a review of Australian writer Kate Grenville’s historical novel “The Lieutenant” for the “Los Angeles Times.” This is a well-written, well-meaning study of understanding between colonized and colonizers in the 18th century Australia; the emphasis is on the experiences…
Can you imagine a scholarly press publishing a book about the Mona Lisa without a reproduction of the painting? Or, perhaps a more pertinent example, a book about anti-Semitic stereotypes without an illustration of them? Brandeis professor and author Jytte Klausen was asked to sign what she called a “gag order” by Yale University Press.…
Visiting the Frelinghuysen Morris House in Lenox got me thinking about modernist architecture in the eastern part of Massachusetts where Walter Gropius landed as part of the great exodus of “degenerate” artists, scientists, writers and other intellectuals who fled to America from Nazi Germany in the years before the second world war. by Helen Epstein…
A most rewarding rainy day activity this rainy summer is a visit to one of the artists’ homes in the Berkshires, many of which are now part of the National Trust for Historic Preservation. By Helen Epstein Exterior of the Frelinghuysen-Morris House & Studio, circa 1940. Edith Wharton’s The Mount, Daniel Chester French’s Chesterwood, and…
Almost every visit to the WCMA has piqued my interest so strongly that I’ve often gone straight to the internet or library to read more about what I’ve seen. Edward Steichen’s 1914 photograph “Heavy Roses” by Helen Epstein The Williams College Museum of Art, set back from Williamstown’s main drag and almost indistinguishable from other…
By Helen Epstein The extraordinary Eleanor Norcross: educator, collector, painter and daughter of Fitchburg’s first mayor. Have you ever been to Fitchburg? It’s off the beaten path and although I’d heard of its state college, and seen the signs — about five miles north of Route 2 — I’d never ventured into the once-properous, now…
A true embarrassment of riches in the Berkshires this summer, with almost every cultural institution in the county scheduling round-the-clock events and package deals designed to attract even the least culturally interested among us. By Helen Epstein James Levine conducts pianist Leon Fleischer and the Boston Symphony Orchestra at Tanglewood (Photo Credit: Hilary Scott) Last…
Visual Art Commentary: Silence Is Complicity — Why Museums Must Use Their Voice to Defend Democracy