Theater
Director Ellie Heyman and her talented cast have their hands full with this new work because it is, in some ways, a tale of two musicals.
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Joshua Sobol isn’t interested in exploring dramatic possibilities but making sure his equation about the inevitable mechanics of violence works out.
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As long as we’re sipping the truth serum wine, the biggest obstacle presented by the Storm Warnings Repertory Theatre production is — itself.
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In a culture that seems hell-bent on distracting us from painful realities, the intimacy of this production comes off as redemptive and inspiring.
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Why has Bernard Weinraub chosen this secretive chapter of Miller’s life as fodder for his play?
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Albert Camus brings a bracing response to thinking about the worse that is missing in so many of our current dystopias.
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With sufficient revision, Marisa Smith’s genial farce could well command the rom-com slot virtually every regional and community theater in the world yearns to fill.
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At the heart of The Women Who Mapped The Stars is a drama about the desire of significant female astronomers to be heard and respected.
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A resplendent and spirited revival of The Sound of Music in downtown Boston.
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Shining leads make up for a problem play that, in this production, has been further problematized.
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Arts Commentary: Rich in Creativity — But Nothing Else