Theater
In this always compelling production, director Carey Perloff decided to bring the uncanny on stage, almost as a sixth character, in the form of composer/musician David Coulter.
Read MoreDumas’ Camille is nothing if not ambitious. Such complexity is seldom found on a summer stage.
Read MorePlaywright Rachel Bonds has written an often-hilarious script which nonetheless deals with such serious and widespread issues as spousal and child abandonment, drug addiction, the right to death with dignity, and same-sex adoption of children.
Read MoreGreater Good is a fiercely compelling piece, confronting its audience with a complex exploration of some of the most pressing issues of our day.
Read MoreHave no fear! The Arts Fuse podcast will be returning soon in a new format.
Read MoreThis review, like the opening night of She Loves Me, is dedicated to the life and work of the late producer Harold Prince.
Read MoreThe CSC production maintains a sense of romantic adventure throughout, which makes it easier to accept some of the staging’s creative excesses — as well as the loop de loops of the Bard’s plotting.
Read MoreOn the Exhale is one of the most powerful and uncompromising one-person shows I’ve ever seen.
Read MoreThe production strikes a fine balance between comedy and seriousness, public and private concerns, bringing a complex and compelling play to vibrant life.
Read MoreOver thirty years after it premiered, the script remains touching and funny, with the added merit that it provides a refreshing respite from the sour discourse of 2019.
Read More
Arts Commentary: Rich in Creativity — But Nothing Else