Theater
Carolyn Michel’s Rose is the sociable stranger on the bus who tempts you to miss your stop so you can hear her out to the end.
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In a taut 90 minutes, The Lifespan of a Fact zeroes in on some key issues that we’re grappling with as a country — or ought to be.
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The Lyric Stage Company of Boston is giving this nostalgic hokum a spirited production.
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We are definitely feeling a sense of Buddy haunting us, to be sure. I mean, this theater is the place he visited. He attended many, if not most, of the shows here.
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When you do this kind of thing it has to be done with bravura and wit — bad poets borrow, good poets steal.
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David Gow’s earnest, intelligent drama about the fragility of identity, though somewhat glibly reassuring, generates powerful moments in this bare-bones production from the Acropolis Stage Company.
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The new pop musical tells the oft-told tale of uxoricide from the women’s perspective.
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The highlights of this year’s gathering will be productions of newly discovered or rediscovered works by both Tennessee Williams and Yukio Mishima.
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But this is an American musical, so political content (and blame for the way things are) must be kept fuzzy, a strategically-calculated myopia.
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The national tour of the smash-hit revival retains much of the charm of the original.
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Arts Commentary: Rich in Creativity — But Nothing Else