Theater
In this seemingly modest, but beautifully constructed and deeply moving play, Donald Margulies has tackled some of the thorniest questions of our time.
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Bedlam’s provocative production of The Crucible has a purpose — to urge us all to stand up and shout down the devils in our midst.
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Few of the numbers in Choir Boy fails to astonish.
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Listening to the dead speak, amid the natural grandeur of Mount Auburn Cemetery, is a moving experience.
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With The Purists, Dan McCabe has written a comic drama that not only has a lot to say, but does it with an enormous amount of playful vim and vigor.
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Carolyn Michel’s Rose is the sociable stranger on the bus who tempts you to miss your stop so you can hear her out to the end.
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In a taut 90 minutes, The Lifespan of a Fact zeroes in on some key issues that we’re grappling with as a country — or ought to be.
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The Lyric Stage Company of Boston is giving this nostalgic hokum a spirited production.
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We are definitely feeling a sense of Buddy haunting us, to be sure. I mean, this theater is the place he visited. He attended many, if not most, of the shows here.
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When you do this kind of thing it has to be done with bravura and wit — bad poets borrow, good poets steal.
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues