Theater
At its core, the Revels is about bringing together actors and audience, but there are several stagecraft successes to note this time around
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The most mesmerizing characters in this stunningly visual production are brilliant life-size puppets.
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This stunning, brand new production of UK’s Life of Pi is stopping in Cambridge for a month or so before sailing down to Broadway.
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In Broadway revivals, Topdog/Underdog is absolutely riveting, while Death of a Salesman feels forced and unconvincing.
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The artistic and design team at the Central Square Theater, in partnership with CHUANG Stage, have come up with an effective, thought-provoking 90-minute journey into a depressing aspect of the American story that was (and still is) rooted in xenophobia.
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A.R.T Artistic Director Diane Paulus and Jeffrey L. Page are at the helm of this well-meaning but irritating revival.
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English makes us consider what it looks like from the other side of our native tongue; from the outside looking in.
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In his virtuoso one-man show, Bill Irwin pays adroit homage to the language and vision of Samuel Beckett.
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The story has the earmarks of YA fiction: a community of dysfunctional adults contribute to the plight of alienated kids who, badgered by persecutors their own age, seek to escape their torment.
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Arts Commentary/Interview: The Climate Crisis and Theater — A Playwright’s Perspective
Do we feel the environment breakdown in our gut? Will people looking back see art that conveyed the existential threat of the emergency?
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