Theater

Theater Review: Baby, It’s Cold Outside

February 8, 2012
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“69°S” takes risks that never put actual life or limb in danger, but under the static of snow and history, we learn that venturing to the edge is always a kind of art.

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Stage Interview: Antonio Ocampo-Guzman on Directing a Tragicomic “Art”

January 23, 2012
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In “Art,” playwright Yasmina Reza uses theater to explore how powerfully we defend our fears and rationalizations.

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Theater Review: A Visual Artist Looks at “Red”

January 18, 2012
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Arts Fuse Critic (and visual artist) Franklin Einspruch reviews “Red,” a drama about Mark Rothko, and doesn’t like what he sees.

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Stage Interview: Thomas Derrah on the Appeal of “Red”

January 13, 2012
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“Red” is about creativity and destruction, Apollonian rigor and Dionysian instinct, fathers and sons, love and rejection, life and death.

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Theater Review: A Rewarding “Red”

January 12, 2012
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“Red” is a drama about the modern artist and his place in art history: at its center, painter Mark Rothko confronts fame and the commoditization of creativity in the world of contemporary art.

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Coming Attractions in Theater: January 2012

January 8, 2012
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The year kicks off with few unusual productions — companies are depending on proven New York hits, such as the Yasmina Reza duo, the Tony award-approved “Red,” and “Green Eyes,” though the Tennessee Williams curio tantalizes.

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Theater/Book Interview: Ben, We Hardly Know Ye — Donaldson on Jonson

December 17, 2011
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Ben Jonson is one of the great unknown geniuses of the English theater and of western literature. Ian Donaldson’s new biography of the playwright/poet successfully makes the case that he deserves to be better known.

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Theater Commentary: An Anything-But-Banal Love Story

December 13, 2011
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The play does not address Hannah Arendt’s rationalizations or the reasons for her dedication to Martin Heidegger, though the dramatist’s title hints that it is the banal truth of the irrationality of love.

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Theater Review: The Irreverent Passion of “Three Pianos”

December 11, 2011
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In “Three Pianos,” three young actor-musicians unite in their irreverent passion for the music of Franz Schubert.

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Fuse Theater Review: Not “High” Enough

December 10, 2011
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“High”‘s set-up is simple enough — three characters with billboard-sized guilt complexes collide.

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