Television
As a potentially thoughtful drama (hey, this is PBS) set during a revolutionary and colonialist era, Beecham House falls as flat as papadum.
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It has its flaws, but Love, Victor is a fun teen rom-com hat isn’t entirely rosy.
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From the mid-’60s to around 1972, Laurel Canyon became the epicenter of a magical musical interlude that gave birth to some of the most iconic and timeless music of a generation.
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Maybe Space Force will figure out what kind of comedy it is and launch into a rejuvenated second season turn. Though that assumes it will get a second season.
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Much of the fun of Ramy comes from its deadpan embrace of heightened absurdity.
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Was this alternate history lesson too much of a downer for viewers weighed down by the burdens of their own unexpected rendezvous with history?
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In The Great, Tony McNamara proves that period pieces that pit conniving yet sympathetic women against tyrannical men can make for a kind of refreshingly cathartic entertainment.
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One of the show’s impressive accomplishments is that its creators managed to find musicians who could act.
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Maybe being quarantined for so long has taken its toll, but Hollywood satisfies well enough as a vibrant escape to glamorous parties filled with scheming executives and hot-to-trot actors on the make.
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Arts Commentary: “Hamilton” — Streaming on Disney Plus, Feeling Like You’re in the Room Where it Happened.
The opportunity to see the culture-changing Broadway phenomenon Hamilton on Disney Plus, sucked up all the arts oxygen over the Fourth of July weekend.
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