Television
What makes this somewhat derivative movie soar is its music.
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Roy Cohn was much more pernicious than Joe McCarthy because he was far more adept at undercutting the relevance of so-called American values.
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To its credit, this “true crime” documentary treats the tragedy of each victim with empathy and respect.
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During a period when we are facing a ferocious pandemic, the biggest Civil Rights movement since the ’60s, and the possibility of flying snakes, it is the perfect time to remake the cheery The Baby-Sitters Club.
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As a potentially thoughtful drama (hey, this is PBS) set during a revolutionary and colonialist era, Beecham House falls as flat as papadum.
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It has its flaws, but Love, Victor is a fun teen rom-com hat isn’t entirely rosy.
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From the mid-’60s to around 1972, Laurel Canyon became the epicenter of a magical musical interlude that gave birth to some of the most iconic and timeless music of a generation.
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Maybe Space Force will figure out what kind of comedy it is and launch into a rejuvenated second season turn. Though that assumes it will get a second season.
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Much of the fun of Ramy comes from its deadpan embrace of heightened absurdity.
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Arts Commentary: “Hamilton” — Streaming on Disney Plus, Feeling Like You’re in the Room Where it Happened.
The opportunity to see the culture-changing Broadway phenomenon Hamilton on Disney Plus, sucked up all the arts oxygen over the Fourth of July weekend.
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