Review
A belated appreciation of one of 2023’s most interesting releases – this Grammy-winning “compendium” may not be a strongly unified work, but its individual parts are eloquent residents of the Place Between classical and jazz.
A relaxed, humane kindness shines through this staging of Shakespeare’s hymn to reconciliation.
Tastefully colorful and aesthetically pleasing, stylish as well as minimalist, modern yet richly symbolic, the Look of the Paris 2024 Olympic Games got many things right and a few wrong.
These designs serve as a forceful testament to the endless possibilities of architecture, to the imaginative power of engineering.
Here is music of depth, music to hear and to think about in a Time of Troubles. But who will play it again? Who will listen? And who will buy?
In this book, Wendy Steiner argues that if we don’t waste, it is very likely that we do not really want.
It was a winding, ultimately exhilarating trip that spanned 51 songs, culminating on Sunday in a virtuosic clinic that sealed the quartet’s near-telepathic interplay across prog-leaning classics.
At the Pillow, the wonderful Social Tango Project brought the form back to its political and aesthetic origins: it is a dance designed to unify and uplift participants and audiences.
The Kansas City Symphony’s new Brahms album with outgoing music director Michael Stern showcases three of his works with keyboard in arrangements for orchestra; Lahav Shani’s cycle of Bruckner symphonies with the Rotterdam Philharmonic Orchestra continues with a sterling account of the Fifth.
Recent Comments