Review
What have you done to prevent the end of the world? A quartet of documentaries in this year’s Global World Film Festival offer different answers to this nagging question.
Read More
The performance of John Adams’s “City Noir” is swift and characterful, though sometimes pushed perhaps a bit too hard for its own good. The rendition of Leonard Bernstein’s “Serenade” is clear but a bit too safe.
Read More
Gary Clark Jr.’s “JPEG RAW” could be seen as an orchard whose far-reaching sonic branches — nurtured by the rich, fertile, and ancient soil of the blues — stretch into jazz, hip hop, and funk.
Read More
“Arts Fuse” theater critic Christopher Caggiano, among others, found that the new Broadway musical “Water for Elephants” “has very little going for it.” Let’s agree to disagree
Read More
The spirited restraint of the pianist’s playing — its omnipresent precision and clarity — sounds contemporary and fresh.
Read More
Sara Juli has proven herself to be a master of using humor to examine subjects that are uncomfortable and not at all comic.
Read More
Josie Lowder debut solo album “Here To Love” is more than a reminder of how good she was — it stands as incontrovertible evidence that she has grown as an artist and especially as a songwriter.
Read More
The BEMF performed the work in July 2023 in New England Conservatory’s Jordan Hall, to enormous enthusiasm.
Read More
The Tonhalle-Orchester Zürich recording of Mendelssohn’s Symphonies doesn’t cast the composer as a radical, but the effort highlights the strengths of his music and finds ways to put distinctive interpretive stamps on several of these scores.
Read More
This midsized MFA project is a solid bid for summer foot traffic from the fashionista demographic.
Read More
Recent Comments