Review
When it comes to defining American music, Pacifica Quartet’s new recording offers some welcome food for thought.
Beyond rich allusions to the past, Jeremy Frey and his generation of basket-makers are also creating objects that will leave your eyes spinning.
Like the iconic series it covers, “After Baywatch” is all gloss, an airbrushed look at a show about sexy lifeguards.
The performances in Mountains are astounding, and Monica Sorelle’s sure-handed direction heralds a new and formidable talent.
In her fine book, Lisa Volpe examines mid-’50s picture-making expeditions taken across the U.S. by photographers Robert Frank and Todd Webb.
The rewards are slight in new politically-minded books by a pair of shrewd and perceptive women.
Here are two new and very different records from virtuosos of the jazz harmonica, both seasoned pros, and one of them deserving of much wider recognition.
For David Lynch, “Lost Highway” is a transitional film of sorts, a limbo-like zone between the innocence redeemed in “Blue Velvet” and the innocence corrupted in “Mulholland Drive”.
Three guitarists — Bill Banfield, Ray Obiedo, and Lee Ritenour — release superb albums.
This summer’s installation of new sculptures is evidence that creative interventions in nature can be harmonious.
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