Review
This 65-year-old recording features some of the best players in L.A. and it is bright, sharp, and revealing. There’s plenty to marvel at here even if I would have wished for more ballads and fewer Stan Kenton-like brass fanfares.
Read MoreAt The Boston Palestine Film Festival: a recognition of what remains and a restoration of what is lost.
Read MoreThree fine documentaries at the NYFF: two delved into political matters, the third looked around New York City in 1965.
Read MoreCédric Kahn’s conventional but fiery true-life courtroom drama hones in on French racism and anti-semitism.
Read More“Hard to Watch” lays out a pragmatic path — directions for how to preserve your time and attention — that will help just about anybody engage with any kind of art thoughtfully and purposefully.
Read MoreThe recording proves to be both an excellent example of Andrew Hill’s unusual creative methods, particularly the wonderful results he managed to get with ensembles.
Read MoreBruna Dantas Lobato’s sensibility is unmistakably original: she explores her protagonist’s life and surroundings like a dowsing rod, poking into closets, corners, and cupboards.
Read MoreThere are valuable lessons here, but I are afraid that this docuseries will be overlooked among all the more enticing, and sensationalized, witchy watchings.
Read MoreEach of these four works has its own flavor, and lovers of Baroque and Classic-era music will happily scoop up one or more of the recordings.
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Book Review: “The Miró Worm and the Mysteries of Writing’ — Pursuing Creative Inwardness
The ascendancy of digital life is acknowledged as unshakable, but in these essays Sven Birkerts offers useful insights into how serious writers can carry on.
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