Review
“Data Mind” contains a spiritual blessing — it teaches us how to praise life in a universe that is so broken it is determined to erase our humanity.
Bottom line: “Live at the Montreux Jazz Festival 2023” captures the manic, mercurial energy that transformed the man born James Osterberg into the legend that is Iggy Pop.
The keyboard wizard’s latest album both continues a trend of expansive projects that take the long view and celebrates the decade-plus the virtuoso has resided in the United States. It is a blast.
“PoemJazz” is a project where music and poetry reinforce each other, where the declaimed poetry works like the sung line of a song — though Robert Pinsky never sings or pretends to.
More than the threat posed by the ghost, “Presence” is desperately terrified of ambiguity.
The publication of “There Is a Deep Brooding in Arkansas” is especially welcome and necessary at this time.
One of translation’s greatest powers — its ability to take a text out of one historical period, literary tradition, language, and set of conventions and transplant it into another — is a delicate procedure.
“Enigma” is as unlike the standard sports documentary as a Cybertruck is to a F-150.
In a production filled with emotional intensity, Audra McDonald delivers a powerhouse portrayal that elevates a somewhat uneven staging.
The power of cinema persists at the Boston Festival of Films from Iran.
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