Review
On his live recordings, B.B. King displayed his brilliant use of stagecraft and pacing. He was one might call a mastro of manipulation.
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The refrain leveled at so many brilliant woman artists is also often attached to Modersohn-Becker: she died too young for us to really know if she could have achieved greatness. But that claim does not hold up in the face of the works here.
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Jesus Lizard remains one of rock’s most fearsome combos, and this night the veteran band delivered one of 2024’s most memorable shows.
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I encourage anybody interested in the current state of opera to get to know Michael Dellaira’s “The Leopard”.
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Violinist Kristin Lee revels in ragtime; pianist Jihye Chang commissioned a series of keyboard etudes from eight Boston-based composers.
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Conductor Robert Treviño celebrates what we might call the dawning of the North American vernacular school; composer Ethan Iverson displays a fascination with instrumental color.
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“Queer” breaks new artistic ground for an artist whose visionary talent is already well-established.
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It may be shot in B&W, but “Day of the Fight” is not a retread of “Raging Bull” — though Joe Pesci is present.
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Children will delight in two books that celebrate creativity and imagination, and one that shows a new way of seeing the world through maps.
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Book Commentary: “Taming Silicon Valley” — Man Over AI
The kinds of regulations Gary Marcus proposes, however well-intentioned they may be, would — in practice — only end up further disenfranchising the masses.
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