Review
One thing I’ve learned in years of being a Rush fan: Nobody ever changes their mind on this band.
A round-up of films seen and people talked to at this year’s Provincetown International Film Festival — a moveable feast.
Bryan McPherson has come a long way from writing songs in the room next to mine in North Cambridge and then busking at Porter and Harvard Squares.
Benton’s art looks very much of its time, especially this selection of work that relates to cinema. Don’t let that fool you.
He came up with one of those transcendent Richard Thompson moments, one to match anything I’ve seen onstage this year.
Marc-André Hamelin, one of the world’s elite pianists, held the packed Shalin Liu Performance Center enthralled.
This documentary explores the lives of 6 movie-crazed, teenage brothers who grew up locked away in a NYC housing project.
The impish comedy and refreshingly realistic perspective of Dope questions easy answers to pressing racial problems.
After experiencing, in seven days, Monteverdi’s three extant operas and his Vespers of 1610, I am in awe of BEMF and everyone associated with it.
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