Review
Despite the dazzling rewards of this virtuoso Underground Railway Theater production, Copenhagen short circuits its central theme.
If the first episode is any indication, season two of FX’s Fargo is going to be an almost pitch-perfect sophomore effort.
This gem of a play that is guaranteed to make you gasp at its surprising conclusion and leave the theater reveling in its lush language and the outstanding performances.
The laughter in the production serves a useful purpose: it distract us from the serious narrative problems in Caryl Churchill’s script.
Filmmaker Alexandra Anthony’s ambitious debut documentary was, in essence, fifty years in the making.
Harold Pinter’s language can be enigmatic and deliberately bizarre, but it suggests arcs of passion and desire.
Clive James gets the most out of whatever’s on the page and isn’t shy about making larger connections.
Michael Lewin’s new album must surely rank among the most poetic and sensitive Debussy recordings of recent memory.
Divided into three acts and an epilogue, the film attempts to generate Shakespearean resonances, but the presentation is more mundane than tragic.
Philippe Petit’s feat has inspired an amazing documentary, and now an amazing feature film.
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