Review
The Finest Hours gives the audience two hours of fast moving, visually pleasing, easily digestible entertainment.
Read MoreClear some room on the mantle of cinematic disgrace for The Choice, an utterly drippy romance.
Read MoreMilk Like Sugar cries out for dialogue and confrontations that direct us deeper into the conflicts the young women face.
Read MoreThe Lady in the Van is quite enjoyable, but has a significant flaw.
Read MoreThe Convert is a complex historical drama that shows us individuals crushed among powerful contradictions.
Read MoreCompany One’s actors are top notch and they expertly serve the production’s antiquated style of non-realistic acting.
Read MoreFighting God is logically argued, lucid, and makes a powerful case for a more secular nation.
Read MoreThis season’s three-week commemoration of the 400th anniversary of Shakespeare’s death – the first such thematic series of Andris Nelsons’ BSO directorship – go off to a compelling start.
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