Review
Reluctant to explain the meaning of her art, Leonora Carrington chose to let the magic and mystery of her inner life reveal itself through the imaginary animal/human creatures and fantastic landscapes of her paintings.
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Despite — or maybe because of — all the global turmoil, an awful lot of compelling music was heard at Big Ears.
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Despite all the Boston Lyric Opera pageantry and talent, “Carousel”‘s trip to the 21st century turns out to be bumpy.
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Kudos to Delacorte Press for publishing not one but two middle-grade books about the dangers of book banning.
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This is the most slickly engaging of Mfoniso Udofia’s scripts so far, its domestic melodrama enlivened by welcome humor, detailed characterizations, and moments of pathos.
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Director Victoria Verseau’s Trans Memoria is an oneiric, brutally frank meditation on the pains and rewards of transgender surgery.
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The apocalyptic overtones of the Mekons’ music come across as alarmingly real as ever.
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Three powerful albums showcase the imaginative visions of Arturo O’Farrill, The John Santos Sextet & Friends, and Rachel Therrien’s Latin Jazz Project.
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Guest conductor Dima Slobodeniouk and the Boston Symphony Orchestra invited listeners to a meditative evening of music.
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The Huntington Theatre Company’s production of “Don’t Eat the Mangos” commands attention with its blend of entertainment and enlightenment.
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