Review
Letters from Gettysburg is an extraordinarily haunting five-movement work that elevates the experience of one man into a memorial to all victims of war.
What happens when a dubious scientific experiment yields unexpected results?
Joanna Hogg refuses by aesthetic principle to put a lot of inflection into her scenes, steering them away from melodrama and even heated drama. As a result, some episodes are half-baked, sketchy, and flat.
This marvelous production pulls off a tricky balance — vibrant bursts of creative energy are put at the service of illuminating the thorny nature of memory and guilt.
In this piece, Peter DiMuro asks a vital question: how has history informed the ways we look at queerness today?
Jean-Philppe Blondel’s books are especially praised by critics for their charm and smoothly-shaped prose.
A splendid production of an impressive early effort from the talented writer Kenneth Lonergan.
The six pieces hailed from various corners of the country and examined a wide range of expressive and social viewpoints.
As a vision of gay bonding, The View UpStairs exudes a wonderful in-your-face spirit.
The play’s disparate elements have been blended into a riveting drama, energetically directed by Lisa Rothe, and nimbly performed by Joel de la Fuente.
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