Review
In his new book, poet Charles Simic employs his customary strategies, but he seldom achieves the intensity he once did.
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What could have simply passed for a nostalgic classic-rock spin turned out to be an expansive smorgasbord, frustratingly uneven at times, yet given to flashes of fervor and surprise.
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Over thirty years after it premiered, the script remains touching and funny, with the added merit that it provides a refreshing respite from the sour discourse of 2019.
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Two new musicals aimed at young audiences: One sings, the other yowls
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Words from George Orwell to live by: “To see what is in front of one’s nose needs a constant struggle.”
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This production of Morning’s at Seven is a celebration of Peterborough’s theatrical family as much as it is the depiction of a fictional one.,/em>
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Aziz Ansari does get laughs throughout his set, but the tone of Right Now begins and ends on a note of sobriety.
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In Frozen Charlotte, Susan de Sola provides readers with enough aesthetic pleasure and thoughtful commentary about today’s world to remind us of just how good — and necessary — poetry can be.
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This album led me to choose, for a summer project, to listen to all of the music of Janáček — and it has been a complete delight.
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David Treuer’s expansive new history of native America from 1890 to the present looks with skeptical, Indian eyes from inside simplistic American symbols and narratives.
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