Review
“Caught by the Tides” eludes the narcissistic congratulation found in self-referential cinema because it absorbs Jia’s early work to create something that has the shock of the new, as much as it builds on the past.
Read More
There’s much to recommend in Behzod Abduraimov’s rendition of Prokofiev’s Piano Concerto No. 2, which is both highly characterful and a lot of fun to listen to.
Read More
The lush, lyrical, and demanding score is the main attraction, and the excellent Huntington Theatre Company cast is, for the most part, up to the challenge of singing it.
Read More
While David Shapiro’s criticism is audacious, his interviews are self-deprecating and offbeat, filled with surprising reveals.
Read More
Chronicling Gene Krupa’s ups and downs and registering his impact on contemporary music, Master of the Drums is a well-deserved account of one of the key musical artists of the past century.
Read More
“Mission: Impossible – The Final Reckoning” is an honest piece of grand entertainment, not as great as “Mission: Impossible – Dead Reckoning Part One,” but still pretty great.
Read More
A new release from the BBC Scottish Symphony Orchestra and Timothy Redmond showcases music from four very different composers, two British and two American. A survey of Italian concertos from pianist Roberto Prosseda, the London Philharmonic Orchestra, and conductor Nir Kabaretti supplies a specter of menace.
Read More
Some unfortunate misfires in a collection that, otherwise, has a lot going for it.
Read More
NDR Radiophilharmonie and Stanislav Kochanovsky may generate new fans for Tchaikovsky’s four orchestral suites; if you only want to dip your toes in Thomas Adès’ extraordinary music, his own take makes for a worthy introduction.
Read More
In this film, Alexis Langlois suggests that the diva worship so central to queer cultural production has found new toxicity thanks to social media, where we all feel entitled to a piece of our idols.
Read More
Arts Feature: Best Movies (With Some Disappointments) of 2025