Review
What sets “Weapons” apart from other films utilizing a puzzle-box approach is Zach Cregger’s command of tone, a byproduct of honing his skills in sketch comedy.
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This splendid book is a love letter and a dissertation, almost a song in itself.
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What it cost Meredith Monk to be uncompromising! In the early days of her experimentations, the dismissive, often patronizing reviews included lines like her music “made my cats bite each other.”
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The targets of “King of the Hill”‘s satire have changed — as Texas culture has changed — but the relationships, and who the characters are at their core, have not.
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This alternately ecstatic and murky, pointed and obscure, allegory is a rare attempt to confront the pathological systems leading us to an uncertain fate.
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Hopefully, Hollywood will take note of this impressive dramatic accomplishment, and more Indigenous stories will follow.
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The letters of this protean figure in American musical theater induced in this reader a pleasurable mixture of nostalgia, voyeurism, and insight.
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The high spirits and tolerance in this enjoyable production reinforce the director’s claim that this comedy is about expats striving for “a more balanced, egalitarian society.”
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Eoin Higgins’s “Owned” is a provocative take on our shifting politics and the instrumental role the media plays in how the superrich maintain power.
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Deconstructing construction in “Architecton.”
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