Review
Happily, the admirable Horizon Ensemble is championing Germaine Tailleferre’s mesmerizing piano concerto.
As Martin Luther King Jr. said, “The arc of the moral universe bends toward justice.” Rather than ask how progress ends, shouldn’t we be asking how progress bends?
A new documentary bares (almost) all about stripper-actress Tura Satana.
Gigs by superb bands led by Mary Halvorson and Mehmet Ali Sanlıkol at the Regattabar.
Two outstanding films from this year’s Toronto International Film Festival — “The Tale of Silyan” and “Wrong Husband”
Playwright Eboni Booth won last year’s Pulitzer Prize for Drama for this script, and it is a heartwarming, well-constructed, one-act.
“HIM” works incredibly well as a Grotesque, and by that I mean the film takes the incipient, creepy ideologies of pro football and blows them up to terrifying and absurd proportions.
Of special interest is Askold Melnyczuk’s treatment of objects. His imagination transforms curios into uncanny artefacts.
Although Greg Epstein’s analysis and critique of what he calls a tech religion are on target, his solutions for undoing its damage are bland, vague, and toothless.
An illuminating book about the 19th-century American artist Francesca Alexander, a Bostonian who shaped a very different life for herself and for her art.
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