Review
If life among these four characters risks being so monotonous over the course of an hour and 45 minutes, just imagine what it must have been like to endure months of lockdown before a vaccine became available.
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But this wasn’t just a night for the hits. It was an occasion for raw, in-the-trenches rock (none of Aerosmith’s later commercial dreck) and rarely, if ever, played songs.
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This is a well-crafted story about the gulf between well-off Americans who can safely ignore power politics in their daily lives (and how many of us are doing just that!) and those at the edge of being oppressed or crushed by them.
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The band tucked two songs from its new album into a career-spanning 95-minute show tilted toward six tunes from the Black Keys’ 2010 commercial breakthrough “Brothers.”
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The times are out of joint for Spike Lee.
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Joachim Raff, widely hailed for his instrumental works, is finally being recognized as a significant opera composer as well.
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Grief and generational trauma have become the horror movie villains of our time, taking the spot once occupied by masked killers.
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This impressive show of more than 32 works concentrates on what Isamu Noguchi could do with stone, sometimes just leaving it in abstract forms, either raw or polished, often imagining it (and cutting it) into what were meant to be essential shapes.
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Three new books from Candlewick Press highlight the everyday lives of toddlers and their loved ones.
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To be silent in the face of cruelty is to be complicit. And I refuse to be complicit. Surely we have to recognize that there are differences in taste. But to skewer another writer with such precision and glee? That is beyond the pale, especially in these perilous times.
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