Review
It’s tempting to frame these books as opposing sides in an argument, Old School Establishment vs. Progressive Left. They are more like parallel universes; their opinions and even their terms rarely converge.
This re-release of a superb recording of a major Meyerbeer opera reminds us what treasures are available to opera companies (and college opera programs) willing to step beyond the well-trodden path.
The South Korean pianist possesses technique to burn. His tone is pearly and deep, capable of both haunting distance and grandeur.
The poems in this remarkable collection lead us, as all good literature should do, after all the appearances and misdirections, feints and antic dispositions, to nothing but ourselves.
Pianist/composer Satoko Fujii’s determination to create is astonishing and wide-ranging — her 100 albums as leader prove it.
This young, superstar trio is capable of being as cool as it is fiery, and the performers’ strengths bring out the best in each other.
In Broadway revivals, Topdog/Underdog is absolutely riveting, while Death of a Salesman feels forced and unconvincing.
Sam Mendes writes and directs an poignant ode to the escape we find in going to the movies.
Jimi’s sister and a Newton-based Hendrix scholar dig into the archives and come up with a coffee table book that celebrates the rock icon.
Christian Tetzlaff’s recital was a breathtaking experience, full of dancelike grace, intelligence, and charm.
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