Review
Maybe “A House of Dynamite” wants to tantalize us with a nightmare from which there is no escape in order to distract us, briefly, from the ongoing disasters that we are compelled to face and overcome.
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One of the best things about the 40-minute selection from “The Lamb Lies Down on Broadway” that stood at the center of guitarist Steve Hackett’s near-three-hour show was its focus on the music without visual bolstering.
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Novelist Dan Jones excels in re-imagining the life of common people in wartime, in particular a small group of English fighters embroiled in the so-called Hundred Years War (1337–1453) between England and France.
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Ultimately, all of the digressions, anecdotes, and mini-profiles in “We The People” seem like an avoidance mechanism whose purpose is to steer clear of a constitutional crisis that is too painful to face.
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If there ever was anyone to handle Hayim Nahman Bialik’s broad, impressive, and impressionistic craft with the acute passion, it is scholar and poet Peter Cole.
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The script focuses on the internal struggles that made Eleanor Roosevelt an uncomfortable wife, rather than taking a deeper dive into the moral and progressive vision that made her such an admirable first lady.
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While not without its flaws, the series proves that traditional TV cop drama can be given a new spin, and it is especially gratifying when the innovation involves kick-ass women.
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“Saul “may be an oratorio, but it’s about as operatic as one can get.
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Director Raoul Peck, like his subject George Orwell, encourages critical thinking and urges us to consider how best to resist the strengthening forces of tyranny.
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“Nuns vs. The Vatican” prepares its audience for an ongoing story that is expanding each time one more victim agrees to talk publicly. Do not doubt that there will be a sequel.
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