Review
An admiring review of the latest disc from Hermitage Trio and praise for Boston Philharmonic and Boston Philharmonic Youth Orchestra concerts earlier this month at Symphony Hall.
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These jazz albums are splendid representations of the first full decade of LPs and of stereo recording as well.
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The final installment in the Boston Symphony Orchestra’ s Shostakovich symphonies series is not nearly as overwhelming as its kick-off disc.
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A Stephen Sondheim flop returns in triumph, while his final show tantalizes with what could have been.
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How well “The Wizard of the Kremlin” will be received here is an interesting question, especially when the novel is evaluated in the light of Mstyslav Chernov’s visceral documentary “20 Days in Mariupol.”
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This splendid album offers ample proof that Henry Desmarest stands shoulder to shoulder with his major 17th century French contemporaries, Lully and Marin Marais.
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The scenario may seem a bit too meta, but in director Todd Haynes’ deft hands, the tonal complexities of ” May December” are quite dizzying to behold.
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Daniil Trifonov’s long-awaited return to Symphony Hall showed that he continues to embody the fullness of the great Russian pianistic legacy.
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This well-directed and performed production of a musical about the universal longing for connection delivers a stirringly heart felt experience.
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Nicolas Cage plays a man who craves renown but can only captivate an audience of sleepyheads.
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