Review
“Parade”‘s power does not lie in its mystery or its revelations of combat. The work, as artist Si Lewen lays it out, surveys the absurd pomp and horror of war.
These four sets are among five new collections of previously-unreleased music that provide crisp snapshots of renowned jazz performers in the second half of the twentieth century and precious documents of great originals in their prime.
The music of Icelandic composer Anna Thorvaldsdottir embraces the elemental, and the Boston Symphony Orchestra skillfully waded into its searching mystery.
A trio of picture books about people establishing nurturing links.
Fostering collaboration between artists and scientists is a wonderful educational and creative endeavor. Kudos to the Umbrella Arts Center for taking on such a complex and ambitious project.
The best part of the Silver/Ursini book is the padding, the last forty pages in which the two authors go past “Double Indemnity”‘s release to contextualize it within the generic stream of “film noir”.
The music works. The session is among old friends. The rhythm section cooks and every solo holds one’s attention.
“Sun Ra: At the Showcase Live in Chicago, 1976 – 1977” offers a rare opportunity for us 21st century listeners to experience live sets by a distinctive musical spirit.
“Sasquatch Sunset”‘s directors claim they were interested in respecting the universal connection between man and nature, albeit with plenty of humor.
Saxophonist Owen Broder’s efforts to keep Johnny Hodges’ music alive is more than just mere imitation. It is a fitting tribute to a musician who deserves to be listened to more.
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