Review
“Ripley” is one of the most entertaining and finely-wrought thriller series to come from Netflix in years.
This book is a fiery manifesto that charges that copyright law today is an outrageously unjust scheme that does nothing for 99 percent of authors, other creative people, and their fans, while it locks up a commodity that fills the coffers of large corporations.
Pianist Noah Haidu’s impeccably performed and recorded “Standards II” is a winner.
The Aussie teen soap falls victim to the dreaded sophomore slump.
Who would predict that this perfectly calibrated tale would be yanked out of its early 20th century setting and become dystopian science-fiction?
In this dreamworld, the politics don’t matter. It’s the artfully gruesome spectacle that counts — that and the hackneyed Hollywood storyline about the hardened veteran mentoring the neophyte through an initiation into the harsh realities of the profession.
The Lyric Stage Company production almost meets the challenges posed by this delightfully inane musical farce.
“We have much less protection over our right to vote than most people think.”
Jean Trounstine’s experience enables her to present convincingly the desperate circumstances of people whose family members have been arrested and incarcerated, sometimes legitimately, often not.
Protecting the imagination — whether our own or others — means encouraging questions about whose voice isn’t being heard and why, whose words are being erased, and whose stories unsettle the status quo.
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