Review
For a light-hearted take on some serious issues, “Waiting for Al Gore” delivers.
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“Lisa Frankenstein” is the first delightful surprise of 2024, destined for weird girl slumber party greatness in a few years time.
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The plight of refugees is given a fairy-tale treatment in “Io Capitano.”
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The performance conveyed the essence of the Du Bois Orchestra’s mission: when played with exuberance, long-neglected and little-played works can generate as much excitement as they do wonder that they were ever overlooked.
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Must the stage only discreetly charm the bourgeoisie?
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For years now, Cowboy Junkies has been bringing its brand of contemplative, atmospheric rock ’n’ roll into a patchwork of independent venues in our region.
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Have a laugh as you read these charmingly funny picture books with your child.
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A welcome addition to the absurdist satire genre of rapper-turned-comedian.
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Even without international-caliber singers and players, Giovanni Piaisello’s “Amor vendicato” works much magic.
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The musical’s focus on truth in journalism resonates in our post-2016, “fake news,” and Artificial Intelligence-saturated environment.
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