Review
What are we supposed to feel as we are pulled from horror to melodrama to comedy?
Rimsky-Korsakov’s delightful village comedy, based on a Gogol short story, receives a modern recording that features a superb international cast.
The spring season has yielded a sizable crop of musical revivals. But how many of them actually bear fruit?
This provocative installation is at the deCordova Sculpture Park & Museum is a “dystopian meditation on the lives of marginalized groups, debt, the challenges of home ownership and living in a climate-stressed world today.”
A powerful performer and artist emerges in this ambitious album about being publicly ostracized and maligned — and coming back stronger.
What sets “Cold Nights of Childhood “wonderfully apart from today’s autofiction genre is the narrator’s absolute lack of self-pity. There is no blame-game, and no lugubrious victimhood.
“I Saw the TV Glow” is nothing short of astonishing, a defining moment in queer cinema in the making and proof positive that Jane Schoenbrun is one of our generation’s most needed filmmakers.
The relationship between the two leads keeps Nowhere Special grounded in what is the film’s moving core — a high-stakes love story between a father and a son.
Veteran British director Ken Loach turns over a new leaf in “The Old Oak”.
Book Reviews: Something Wickedly Imbecilic This Way Comes
Two books chase the devil’s tail as they examine America’s evil ways.
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