Music

Jazz Review: Mimi Rabson Premieres ‘The Berklee Violin Solos’

February 17, 2009
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By J. R. Carroll Violinists are a fortunate lot. Granted, many years of painstaking study and practice are required to master the instrument, but once achieved, that mastery can be taken in almost any direction–or in many directions. As part of what she describes as her “never-ending quest for new vocabulary,” Mimi Rabson has headed…

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Patricia Barber brings ‘The Cole Porter Mix’ to Massachusetts

February 10, 2009
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by J. R. Carroll Just a heads up to our readers that Patricia Barber will bring her quartet to the Regattabar for two shows on Wednesday evening, February 11th, and, for those in the Metro-West area, to the Iron Horse Music Hall in Northampton on Thursday evening, February 12th. We expect she and her compatriots…

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Classical Music Review: Tenor Rarities from Charles Blandy

January 24, 2009
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By Caldwell Titcomb One of the most engrossing concerts in ages took place on January 22 in the new 365-seat Distler Performance Hall at Tufts University, thanks to tenor Charles Blandy and pianist Linda Osborn-Blaschke. No Schubert. Schumann, Brahms or Wolf. Instead we were treated to an entire program of rarities, most of which I…

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The Arts and the Brain: A Healing Relationship

January 17, 2009
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by Bill Marx Brain Snuggles with Violin at The World’s Studio In my latest World Books podcast, which includes video coverage, I examine evolving international views of the relationship between neuroscience and the arts, with a special emphasis on the healing powers of music for those suffering from neurodegenerative diseases. The Longwood Symphony Orchestra recently…

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Musical Theatre Notebook: Sondheim Abounds

December 16, 2008
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By Caldwell Titcomb Who stands at the top of the American musical theatre? Many people will at once cite Rodgers & Hammerstein. They were indeed illustrious collaborators, and produced eleven works for the stage starting in 1943. But only four of these are top-notch: “Oklahoma!,” “Carousel,” “South Pacific,” and “The King and I.” The master…

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Opera Review: ‘Tales of Hoffmann’

November 18, 2008
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By Caldwell Titcomb The scientist Spalanzani (tenor Neal Ferreira) strikes an unlikely deal with the nefarious inventor Coppélius (baritone Gaétan Laperrière) in the BLO’s fine production of “Tales of Hoffmann.” One of history’s most famous and beloved French operas wasn’t written by a native Frenchman. “The Tales of Hoffmann” came from the pen of Jacques…

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Classical Music Review: Boston Civic Symphony

November 16, 2008
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By Caldwell Titcomb One can’t go wrong with Beethoven, who provided all the music for the Boston Civic Symphony’s Jordan Hall concert on November 9. The orchestra was founded in 1924, incorporated in 1945 as the Civic Symphony of Boston, and underwent an official name change this year to Boston Civic Symphony (someone forgot to…

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Classical Music Review: Duo Diorama

November 5, 2008
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By Caldwell Titcomb An amazing pair of instrumentalists gave a concert at the Longy School of Music on October 25. Styling themselves Duo Diorama, they are the husband-and-wife team of pianist Winston Choi and Violinist Minghuan Xu. These young players (he is 30 and she is 31) have been concertizing together for a long time,…

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Classical Music Review: Focus on Armenia

October 27, 2008
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By Caldwell Titcomb Considered the father of Armenian music, Gomidas (or Komitas) was born Soghomon Soghomonian in 1869, and became active as a composer, singer, choir conductor, ethnomusicologist and priest. In 1915 he was one of 300 artists arrested and deported at the start of the Armenian genocide. He became so unhinged that he ceased…

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Classical Music Review: Fleisher at 80

October 8, 2008
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By Caldwell Titcomb The two greatest American pianists to emerge in the twentieth century are Leon Fleisher (b. 1928) and Murray Perahia (b. 1947). From 1958 to 1962 Fleisher recorded all five Beethoven piano concertos and the two by Brahms with the Cleveland Orchestra under George Szell. These constitute the yardstick against which all other…

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