Classical Music
Sir Simon Rattle revisits the music of Benjamin Britten and Elim Chan once again draws on her remarkable ear for detail.
The performance of John Adams’s “City Noir” is swift and characterful, though sometimes pushed perhaps a bit too hard for its own good. The rendition of Leonard Bernstein’s “Serenade” is clear but a bit too safe.
The BEMF performed the work in July 2023 in New England Conservatory’s Jordan Hall, to enormous enthusiasm.
The Tonhalle-Orchester Zürich recording of Mendelssohn’s Symphonies doesn’t cast the composer as a radical, but the effort highlights the strengths of his music and finds ways to put distinctive interpretive stamps on several of these scores.
Pianist Marc-André Hamelin demonstrated a total command and control of his materials.
Rimsky-Korsakov’s delightful village comedy, based on a Gogol short story, receives a modern recording that features a superb international cast.
The Bamberg Symphony Orchestra is a rare gem in the already star-studded crown of European ensembles.
“There’s nothing better to do on Friday night than hear this orchestra play. What else would people do that would be better? Of course, people get very excited about the sports teams – and most of them lose. But this orchestra never loses. It wins every game!”
Ultimately, on some level, the Boston Philharmonic Orchestra’s performance of Bruckner Ninth functioned as a study in approaching the unknown (and unknowable) with humility.
The music of Icelandic composer Anna Thorvaldsdottir embraces the elemental, and the Boston Symphony Orchestra skillfully waded into its searching mystery.
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