Classical Music
This world-premiere recording lets us hear one of the most effective recent operas, based on the famous book by Dr. Oliver Sacks.
Pavel Kolesnikov and Samson Tsoy’s debut CD is breathtaking, released a few months after the pair’s acclaimed performance at Carnegie Hall earlier this year.
It has been nearly 20 years, but Third Coast Percussion has managed to retain its uncanny freshness and vitality.
French opera arias, many recorded for the first time, by the enchanting tenor Cyrille Dubois. The vocal treasures here include a stirring 1842 denunciation of slavery in the Caribbean.
There’s no question that either the violinist or the orchestra are completely at home with Julia Perry’s larger style or the notes: this is about as confident and secure a first recording as they come.
Two Boston-area chamber music ensembles recently ended their seasons. Each embraced the present in its own distinctive way.
Part of the pleasure of reviewing Skylark’s performances is to spread the word: this vocal ensemble is nothing short of amazing.
Sir Simon Rattle revisits the music of Benjamin Britten and Elim Chan once again draws on her remarkable ear for detail.
The performance of John Adams’s “City Noir” is swift and characterful, though sometimes pushed perhaps a bit too hard for its own good. The rendition of Leonard Bernstein’s “Serenade” is clear but a bit too safe.
The BEMF performed the work in July 2023 in New England Conservatory’s Jordan Hall, to enormous enthusiasm.
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