Classical Music

Classical Music Review: It’s ‘Sick Puppy’ Time

June 18, 2009
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By Caldwell Titcomb Attention has shifted from the very old to the very new: the Boston Early Music Festival ended on June 14, and June 13 saw the start of the eight-day 2009 Summer Institute for Contemporary Performance Practice at the New England Conservatory (NEC).

Opera Review: ‘L’Incoronazione di Poppea’

June 9, 2009
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By Caldwell Titcomb If you know a bit about opera, you will have heard of Verdi – but perhaps not of Monteverdi. Claudio Monteverdi (1567-1643) was the first major composer in the history of opera, and the biennial Boston Early Music Festival (BEMF) is presenting his last opera, “L’Incoronazione di Poppea” (“The Coronation of Poppaea”)…

Opera Review: ‘The Bartered Bride’

May 9, 2009
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By Caldwell Titcomb In “The Bartered Bride,” Jennifer Aylmer plays Marenka, who loves the farmhand Jenik, but is pressured to marry Vasek, the son of a wealthy neighbor. Boston has had the unusual luck of experiencing two major Czech operas within a few weeks. First, the Boston Lyric Opera gave us Antonin Dvořák’s “Rusalka” (see…

Classical Music Review: Boston Musica Viva

May 5, 2009
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By Caldwell Titcomb Richard Pittman ends the 40th season of the Boston Musica Viva on a strong note. Back in 1969, Richard Pittman founded the Boston Musica Viva (BMV), the first local ensemble dedicated entirely to contemporary music. On May 1, Pittman and his colleagues wound up their 40th season with a concert of three…

Classical Music Review: Russians Do Russians

April 27, 2009
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By Caldwell Titcomb Back for a return visit to Symphony Hall on April 22 was the National Philharmonic of Russia (NPR), founded in 2003 and not to be confused with the 19-year-old Russian National Orchestra. On the podium for this Celebrity Series event was violin virtuoso Vladimir Spivakov, who will turn 65 in September and…

Opera Review: Boston Lyric Opera’s “Rusalka”

March 27, 2009
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By Caldwell Titcomb Note: Rusalka is transferring to the West End’s London Coliseum from March 28 to April 15, 2020. Czech opera is not often mounted in these parts. The two major composers were Bedrich Smetana (1824-84) and Antonín Dvořák (1841-1904). The latter wrote ten operas, some comic and some tragic. Among Czech natives, the…

Opera Review: ‘Tales of Hoffmann’

November 18, 2008
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By Caldwell Titcomb The scientist Spalanzani (tenor Neal Ferreira) strikes an unlikely deal with the nefarious inventor Coppélius (baritone Gaétan Laperrière) in the BLO’s fine production of “Tales of Hoffmann.” One of history’s most famous and beloved French operas wasn’t written by a native Frenchman. “The Tales of Hoffmann” came from the pen of Jacques…

Opera Review: Osvaldo Golijov’s “Ainadamar” — Killer Arias

June 27, 2006
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By James Marcus At its best, an opera about the death of Spanish writer Federico Garcia Lorca is a tour-de-force. Ainadamar, an opera by Osvaldo Golijov. (Deutsche Grammophon) For most composers, geography is destiny. Even Schoenberg — whose innovations were supposed to release music not only from its tonal prison but from the local idiom…

Classical Music Commentary: Mozart Mania

March 27, 2006
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The composer turns 250 this year and everyone is trying to cash in on the worldwide party. By Mark Kroll You might not know if 2006 is the year of the dog or the dragon in the Chinese calendar, but you couldn’t have possibly missed the news that this year marks the 250th anniversary of…

Arts Commentary: Classical Musical Chairs

August 9, 2005
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The controversy over the appointment of a woman to become the conductor of the Baltimore Symphony Orchestra boils down to issues of power and gender. By Mark Kroll It’s been a tough year for conductors. In February, David Miller was in southern France conducting “Don Giovanni” with his Bulgarian orchestra when French police burst in…

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