Classical Music
There was a memorial service for Caldwell Titcomb, invaluable friend of the arts in New England, yesterday in the Memorial Church at Harvard University. He passed away on June 12th of leukemia at the age of 84. The ceremony was moving and heartfelt, with memories shared about Caldwell as a friend, composer, critic, grammarian, teacher, brother, long-time President of the Elliot Norton Awards, and researcher in African-American history.
Read MoreIt’s “Mahler Unleashed” month at the New England Conservatory. I heartily recommend all of the “Mahler Unleashed” events.
Read MoreAs one of the most highly esteemed countertenors in the opera world today, Andreas Scholl did not disappoint, but radiated confidence and sincerity in his interpretations of some of Purcell’s most beautiful music.
Read MoreThroughout his career, conductor Kurt Masur has focused primarily on conducting the standard German repertoire, and now, at age 84, his mastery and understanding of this music is unmatched.
Read MoreThe Music for Food concerts are free, but people are urged to contribute cash, checks or canned goods, a tiny step towards righting “the horrible discrepancies we are living with.”
Read MoreBSCP has enough cachet to hire the best in the business — each of the evening’s soloist had instruments and resumes to, as they say, die for — competitions won, festivals performed in, prizes, solo performances everywhere but the South Pole.
Read MoreDespite some interpretive shortcomings, Sean Newhouse, the orchestra’s 30-year-old assistant conductor has solid technique, and a major orchestra whose players, management, and audience believe in him.
Read MoreAudra McDonald is so popular on stage, in concert, and on television that she has become, to many, a one-name goddess like Bette, Judy, and Barbra. Judging from her recent star turn in the American Repertory Theater’s production of “Porgy and Bess” and this brilliant concert, she can give the other One-Named Ones a run for their money.
Read MoreOctober offers an embarrassment of musical riches. The Boston Symphony Orchestra, without a music director, is still putting on impressive programs, including several this month.
Read MoreA Far Cry’s youthful exuberance is no doubt one of the most important keys to its egalitarian vision, but a good share of the credit is due to intelligence, vision, and carefully-honed and finely-tuned musicianship.
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Arts Commentary: Rich in Creativity — But Nothing Else