Classical Music

Fuse Concert Review: The Takács Quartet and Pianist Marc-André Hamelin Beguile With Shostakovich

November 19, 2012
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The Takács Quartet have won the kind of acclaim that most chamber groups can only dream of, and their concert in Boston made their enviable reputation understandable.

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Concert Review: “A Score To Settle” — A Monodrama About A Harpist and Her Seductive Slavedriver

November 17, 2012
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Why, Rita Costanzi asks incredulously, do harpists, albeit occasionally, marry other harpists: “Does the word masochist mean anything to you?”

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Concert Review: Kirill Gerstein and the Boston Symphony Orchestra/Thomas Adés

November 16, 2012
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With “In Seven Days,” Thomas Adés seems to have developed a musical language that’s complex yet not forbidding: there’s no sense that his music is weighed down by expectations of the past, even as he freely refers to archaic compositional forms.

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Movie Review: “A Late Quartet” — Memorably Lovely

November 11, 2012
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Teams of string coaches were deployed to make this quartet of actors look like they knew what they are doing with their instruments, but no critic has noticed how completely unrelated the motions of their left hands — finger placement and vibrato — are to the music that is played, with the exception of Christopher Walken, who looks like he is playing his cello correctly and producing real music.

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Concert Review: Handel and Haydn Society/Bernard Labadie at Symphony Hall

November 11, 2012
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Handel & Haydn Society captured all of this and then some with a vigorous, focused performance that was a marvel of controlled fury.

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Concert Review: Gil Shaham and the Boston Symphony Orchestra/Juanjo Mena

November 6, 2012
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Saariaho’s music is often lush and vibrant, to be sure, but it also can lose track of its musical purpose and meander excessively from time to time. Not so in “Circle Map.”

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Classical Music Review: Jordi Savall — Rock Star of Early Music

November 6, 2012
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Considered by some to be a guardian of ancient music, Jordi Savall has inspired adulation for a variety of reasons, but in the end it’s because he plays the viol or viola da gamba better than just about anyone else alive.

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Classical Music Sampler: November 2012

November 1, 2012
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November features a number of visits from celebrated performers, from Kelly O’Connor and Thomas Adés to the Takács Quartet. Music for Food also presents its second concert/benefit of the season.

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Fuse Concert Review: Stravinsky and Ravel Operas by the Boston Symphony Orchestra/Charles Dutoit

October 28, 2012
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That Symphony Hall was probably a third empty is inexplicable, but, if you missed any of these concerts, it’s truly your loss. These were among the BSO’s benchmark performances of the last decade.

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Classical CD Reviews: John Harbison’s “Winter’s Tale” (Soloists, Boston Modern Orchestra Project/Gil Rose) and Derek Bermel’s Canzonas Americanas (Alarm Will Sound/Alan Pierson)

October 28, 2012
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If you think contemporary music is the domain of fusty academics and has no bearing on (or relationship to) the outside world, you really need to check out “Canzonas Americanas.”

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