Classical Music
John Adams’s Chamber Symphony brought out the best in Mr. Lewis as a conductor: it was fun watching him maneuver through the score’s intricate rhythmic patterns and his confidence was reflected by the Ensemble in a brash, involved reading of a far-too-little-heard (in these parts, at least) piece.
Read MoreDiscovery Ensemble is already the local ensemble to watch for their brilliant programming and energized performances. Now add to that their commitment to educational outreach and Boston’s underserved communities.
Read MoreVocalist Dee Dee Bridgewater’s exuberance proved contagious in this performance featuring a remarkable group of jazz all-stars under the genial direction of bassist Christian McBride.
Read MoreMusical quibbles aside, the performances on both albums from Boston Modern Music Project’s in-house label, BMOP/sound, are top-notch.
Read MoreTo describe the contents of the CD “Hywel Davies” as trivial is to be generous.
Read MoreThe Worcester Chamber Music Society’s latest concert was inspired by an ambitious concept and it was played with conviction, but the performance was continuously dogged by problems with acoustics.
Read MoreFrom the moment he began to play, pianist Paul Lewis established his authority. His performance was spellbinding and eloquent, animated by a respect for precision and rhythmic clarity.
Read MoreJulian Rachlin is a Romantic violinist in the best sense: he has technique to burn, but isn’t overly showy. His tone is pure, his intonation impeccable, and in his playing the melodic line is – even in the busiest solo textures – given pride of place.
Read MoreGreen Mountain Project has done everything right, paying careful, historically informed attention to pitch, transposition, tempi, number of performers, and tuning.
Read MoreHighlights of the month include performances from the admired vocal groups A Far Cry and the Lorelei Ensemble as well as early music programs from the Green Mountain Project and Dünya.
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Arts Commentary: Rich in Creativity — But Nothing Else