Interview
“Modern dance is not a secret club. Yes, we are presenting masterpieces by a visionary 20th century artist, but we are communicating that through the greatest dancers today, and showing how that work continues to evolve.”
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The 77-year-old Brookline sculptor has been exploring many sides of his chosen craft since his days as a senior at Harvard. And he was already dabbling in all sorts artistic endeavors long before that.
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Among Artistic Director Holly Druckman’s goals is to turn Cappella Clausura into a “very serious player in the Boston early-music-new music scene.”
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“My goal is to play these wonderful venues and also be close to home so I can have time in the morning with my daughter. I marvel at living in New England.”
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“I still pinch myself that I got to work with Clint Eastwood. But any anxiety quickly dissipated upon meeting him. He is so cool and calm and funny and easy.”
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“Looking Forward” is constantly vacillating between the things that give you hope and the things that give you despair.”
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Oh He Dead’s new album carries a unified punch as it interweaves meditations on dark subjects: mortality, polarization, and how life isn’t always sunshine and rainbows.
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Legendary guitarist Warren Haynes talks about how his upcoming album, Million Voices Whisper, was put together and what it is like to perform in front of Boston crowds.
Read MoreMusician Interview: Death From Above 1979 Celebrates the 20th Anniversary of its Classic Debut Album
This year marks “You’re A Woman, I’m A Machine”‘s 20th anniversary and, in homage, Death From Above 1979 has slowly but surely been releasing re-recorded tracks from the disc over the past few months.
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“It’s not just some generic ‘evil’ “The Arsonists” protests, it is willful blindness to fascist and authoritarian agendas. Denial and hiding behind “bourgeois” comfort is the theme.”
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Arts Remembrance: In Memoriam — Tom Stoppard