Film
As always, the festival supplied some revelations, plus films from countries now prominent in the news.
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Films about relationships are often the best offerings in the Provincetown Film Festival, and several of the narrative films at this year’s go-around were about seeking connection.
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This year was the 27th annual festival, and blessed as always by the fairy-dust magical presence of summertime resident John Waters.
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Considering the determination of the current administration to send America back to the 19th century (or even earlier, perhaps to the Dark Ages), “Lavender Men” supplies an entertaining — and valuable — history lesson.
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Director Celine Song beats the romantic comedy to death.
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If the destiny of documentaries is to become celebrity profiles, it could do worse than those screening at this year’s PIFF.
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The film offers some intriguing twists and turns, and the excellent cast propels the narrative forward admirably. But the screenplay tries a bit too hard to dramatize character transformations in a short period of time.
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Bottom line: for all of “The Phoenician Scheme”‘s visual glories, the whimsical portrait of a shady arms dealer who becomes a mensch in the bosom of family rings hollow — especially at the present moment.
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Film Commentary: Zombie Apocalypse, Re-Imagined — The Legacy of “28 Days Later”
Where is the grandiose zombie apocalypse that illuminates the grotesque reality of the death-denying yet death-obsessed beings we’ve become? Ralph Fiennes knows.
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