Film

Film Reviews: Three Nervy Indies at the Boston Sci-Fi Film Festival

February 20, 2022
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A trio of independent movies draw on sci-fi to explore the nooks and crannies of creativity.

Film Reviews: At the Berlin International Film Festival — Two Movies about Workers Under Assault

February 19, 2022
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Two stylistically different films in which workers are exploited and empowered.

Film Review: “Margrete, Queen of the North” — One Matriarch, One Scandinavia

February 14, 2022
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This is an opulent and ambitious historical drama, as attentive to small intimate scenes as it is to grandiose action sequences.

Film Review: “Munich: The Edge of War” — The Necessity of Resistance

February 13, 2022
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A suspenseful, finely-crafted historical thriller that reminds us that the triumph of evil depends on good men doing nothing.

Film Review: “Jackass Forever” – Bad Taste — Our Miracle Elixir

February 11, 2022
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Jackass Forever is incredibly stupid, totally irresponsible, completely juvenile, and it made me feel alive in my body for the first time in weeks.

Film Reviews: Two Views from Ukraine at Sundance – Kids and Chaos

February 8, 2022
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With the eyes of the world on Ukraine right now, two films at Sundance came from that country, or what used to be that country.

Film Review: “The Pink Cloud” — Love During Lockdown

February 6, 2022
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The Pink Cloud is a fascinating watch by sheer virtue of its accidental prescience.

Film Review: “Ronnie’s” — The Story of a World-Famous London Jazz Club

February 6, 2022
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Mel Brooks called Ronnie Scott’s Jazz Club “a little nest of happiness. All our recent wounds are healed there.”

Film Review: “Music. Money. Madness. Jimi Hendrix Live in Maui” — Rubber-Room Wackos

February 4, 2022
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If this film accomplishes anything, it’s to remind us of how much we lost when Jimi Hendrix died.

Film Review: “Sundown” — Meltdown in Mexico

February 4, 2022
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A relaxing family vacation story morphs into a quietly riveting character study.

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